A journey worth taking: Pooja Pittie
Published on Obama.org, March 2021
Through her personal experiences, Pooja has grown to accept the imbalance that comes in life—especially for those living with disabilities. “I think that as a person with a disability, I had such a revelation when I realized I don’t have to chase after this perfect balance between body and mind. We’re always seeking balance in all parts of our lives, and it may not always be achievable. And that’s okay.”
Pooja is also involved with 3Arts, a residency program at the University of Illinois at Chicago that advocates for local women artists, artists of color, and artists with disabilities. Recently she completed her residency and she credits the program for truly recognizing the needs of those with disabilities.
“Many residency programs out there in the world are not very friendly with artists with disabilities,” Pooja explained. “Some programs include traveling to remote locations, which may not be feasible. Or people may need a caregiver, and those types of accommodations aren’t always possible.”
During her residency, Pooja was determined to focus on the imbalance of body and mind. She rented a spacious studio space and started mapping out how she could use her body in new ways—then the COVID-19 pandemic hit, and the uncertainty of safety lingered. “The entire goal of my fellowship was flipped on its head,” Pooja said. “Instead of making really large works, I opted for small pieces of art. I was too anxious to paint in those early days, and this program was an invaluable resource for me.”
As she has met more and more artists in the disability community, her understanding of needs and the importance of representation grew. As conversations about the ingrained inequalities and inaccessibility in the museum community have grown over the last year, Pooja believes emerging institutions like the museum at the future Obama Presidential Center have limitless potential to change the way museums are built and how they engage with their visitors.
“In terms of physical accessibility, the Americans with Disabilities Act (ADA) clearly lays out what museums should be doing,” Pooja explained. “But people tend to forget that not everyone living with disabilities is the same. What would make a space accessible for me might not make it accessible for somebody else with different disabilities.”
In January, Pooja joined her fellow 3Arts artists for a Disability Culture Leadership Initiative: A Chicago Model panel, where she shared how her disability has shaped her activism. “I think the activism part of my work relates more to how I talk and present my art to give people access to the disability community,” Pooja described. “Then people get an insight into our experiences and get to see how powerful our lives are. Our lives are not based on a lack of ability or some deficiency, and I think it’s very interesting to be able to communicate that through abstract painting.”
To learn more about Pooja and her work, visit: https://www.poojapittie.com/ and follow her on Instagram at @poojapittie.